| WEEK |
Music
Fundamentals |
Short
Analysis |
Discussion
with Peers |
Scavenger
Hunts |
Reading
& Other |
| 1 |
Self-tests I & II |
Find Pitch
Motives |
Music Theory
Background |
Welcome!
& Paperwork |
| 2 |
Self-test III |
Listen
for Meter |
Respond |
Music
Calligraphy |
| 3 |
Self-test IV |
Identify
Key Changes |
1, 2, & 3 |
Sonata Form |
| 4 |
Self-test V |
Listen
for Form |
Learning Music Theory
& Fundamentals |
Counterpoint |
| 5 |
Self-test VI |
Roman Numeral
Analysis |
Respond |
ToStudy |
| 6 |
Review I & II |
Play a
Lead Sheet |
4, 5, & 6 |
|
| 7 |
Review III |
Harmonic
Cadences |
Why? |
Rogers 1 |
| 8 |
Review IV |
Arch
Maps |
Respond |
Rogers 2 |
| 9 |
Review V |
Applied
Chords |
7 & 8 |
Rogers 3 |
| 10 |
Review VI |
Beethoven 5,
Mvt. I Sections |
Active Listening
Ideas |
Rogers 4 |
| 11 |
Enlist a proctor. |
Beethoven 5,
A Few Chords |
Respond |
Personal Project
Proposal |
| 12 |
Take the
comprehensive
music
fundamentals
exam. |
Beethoven 5,
Mvt. I Motives |
9 & 10 |
Schenkerian
Analysis |
| 13 |
Fischer
Fugue 17 |
Score Study
Tips |
Personal Project
Rough Draft |
| 14 |
Beethoven 5,
Mvt. I Textures |
Respond |
SOI |
| 15 |
Beethoven 5,
Mvt. I Diagram |
Redos |
|
| Finals |
Any Late Work and
Personal Project Final Draft |
|