MUS 313 Form and Analysis - Comprehensive Final Exam	MUS 313 William Wieland
(You must pass the final to pass the class.)
Bach fugue from the Well Tempered Clavier I (We will practice with the Fugue in B flat at the end of the semester.) Review the Fugue Glossary. On the score, label the parts of the exposition. (subject entries, answer entries, countersubject entries and bridge) Where does the exposition end? Are the answers tonal or real? Specifically what pitch or pitches indicate that the answers are tonal or real? Beethoven piano sonata movement (We will practice with the first movement of Beethoven’s Sonata Op. 49, no. 2 at the end of the semester.) Perform a Roman numeral analysis of selected measures. Applied Chords Augmented Sixth Chords Neapolitan Sixth Chord Mendelssohn Elijah practice questions Diagram and identify the form. See the bottom of Common Forms. Formal Analysis of Beethoven's Piano Sonatas by Andrew Schartmann, a Yale doctoral student Schiff on Beethoven — each lecture is about 45 minutes Be able to write the retrograde, the inversion, or the retrograde inversion of any tone row in any transposition. (P, I, R, and RI of a tetrachord) (We will practice at the end of the semester.)